Books and Reviews

Antoine de Baecque, Godard, Paris: Grasset.
Colin MacCabe
Michael Temple
Jonathan Rosenbaum

Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard, New York: Metropolitan Books.
Brody’s original piece for the New Yorker: An Exile in Paradise
Bill Krohn’s excellent Kinbrody and the Ceejays, uncovering many of the biases in Brody’s work
Adrian Martin
Andy Rector
Michael Temple
B. Kite
Mike Miley
David Sterritt
Richard Hell
Stephanie Zacharek (this review is taken apart by Ed Howard)
Chris Petit
Jonathan Rosenbaum
Interview with Richard Brody, by Bijan Tehrani
An Interview with Richard Brody, by Leo Goldsmith and Evan Kindley

Colin MacCabe, Godard: A Portrait of the Artist at Seventy, New York: Farrar, Strauss, and Giroux.
Gilberto Perez
Don Boyd
Stuart Jeffries
Jonathan Rosenbaum
Michael Temple
Interview with Colin McCabe, with Francine Stock and Ginette Vincendeau (scroll down)

Introduction to a True History of Cinema and Television, ed., trans. and intro. Timothy Barnard, Montreal: Caboose.
Michael Cramer

Jean-Luc Godard par Jean-Luc Godard, ed. Alain Bergala, Paris: Editions de l’Etoile.

Introduction à une véritable histoire du cinéma, Paris: Albatros.

Godard on Godard: Critical Writings by Jean-Luc Godard, eds. Jean Narboni and Tom Milne, intro. Richard Roud, foreword Annette Michelson, New York, N.Y.: Da Capo Press.

In Preparation
Kevin J. Hayes and Timothy Barnard, eds. Reading with Jean-Luc Godard, Caboose.

Stéphan Crasneanscki, What We Leave Behind – From Jean-Luc Godard’s Archive, Libraryman.

Richard Dienst, Seeing from Scratch: Fifteen Lessons with Godard, with The Postcard Game, Caboose.

Shaul Setter, Collectivity in Struggle: Godard, Genet, and the Palestinian Revolt of the 1970s, Lexington.

Nathan Andersen, Film, Philosophy, and Reality: Ancient Greece to Godard, Routledge.

Douglas Morrey, The Legacy of the New Wave in French Cinema, Bloomsbury.

Albertine Fox, Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard, I.B. Tauris.
Martha Nochimson
Caitríona Walsh

Rick Warner, Godard and the Essay Film, Northwestern.

Stuart Kendall, trans. Phrases: Six Films, New York: Contra Mundum Press.

James S. Williams, Encounters With Godard, New York: SUNY Press.
Jonathan Wright

Volker Pantenburg, Farocki/Godard: Film as Theory, Amsterdam: Amsterdam University Press.
Full pdf from Monoskop
Toni Hildebrandt

Tom Conley and T. Jefferson Kline, eds., A Companion to Jean-Luc Godard, Hoboken and Oxford: Wiley-Blackwell.
Adrian Danks

Christina Stojanova, Douglas Morrey, Nicole Côté, eds., The Legacies of Jean-Luc Godard, Waterloo, Ont.: Wilfrid Laurier University Press.
My Chapter: The ‘Hidden Fire’ of Inwardness: Cavell, Godard and Modernism

Christopher Pavsek, The Utopia of Film: Cinema and Its Futures in Godard, Kluge, and Tahimik, New York: Columbia UP.
Patrick Reagan
Brian K Bergen-Aurand

Stephen Scobie, At the Limit of Breath: Poems on the Films of Jean-Luc Godard, Edmonton: U of Alberta Press.

Hunter Vaughan, Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking, New York: Columbia University Press.
My review in New Review of Film and Television Studies

Michael Witt, Jean-Luc Godard, Cinema Historian, Bloomington: Indiana University Press.
Clayton Dillard
Jake Cole
Adam Batty
Daniel Fairfax
Jonathan Rosenbaum
Keith Reader
Jeremy Spencer
Carolina Sourdis

Jerry White, Two Bicycles: The Work of Jean-Luc Godard and Anne-Marie Miéville, Waterloo, Ont.: Wilfrid Laurier University Press.

Antoine de Baecque, Camera Historica: The Century in Cinema, trans. Ninon Vinsonneau and Jonathan Magidof, New York: Columbia University Press.

Hamish Ford, Post-War Modernist Cinema and Philosophy, Palgrave Macmillan.

Miriam Heywood, Modernist Visions: Marcel Proust’s À la recherche du temps perdu and Jean-Luc Godard’s Histoire(s) du cinéma, Oxford: Peter Lang.

Colin MacCabe and Laura Mulvey, eds., Godard’s Contempt: Essays From The London Consortium, Malden, MA: Wiley-Blackwell.

Daniel Morgan, Late Godard and the Possibilities of Cinema, Berkeley: University of California Press.
James Harvey-Davitt

Ágnes Pethő, Cinema and Intermediality: The Passion for the In-Between, Cambridge: Cambridge Scholars Publishing.

Michel Ciment, Film World: Interviews with Cinema’s Leading Directors, New York: Berg.

John Drabinski, Godard Between Identity and Difference, New York: Continuum.

Jeremy Mark Robinson, Jean-Luc Godard: The Passion of Cinema, Maidstone: Crescent Moon Publishing.

Jacques Rancière, Film Fables, New York: Berg.
The Red of La chinoise: Godard’s Politics

Nicole Brenez, David Faroult, Michael Temple, James Williams and Michael Witt, eds. Jean-Luc Godard: Documents, Paris: Éditions du Centre Pompidou.
Document: Five Letters from Godard Apropos of Inside/Out, by Jonathan Rosenbaum

Jean-Luc Godard & Youssef Ishaghpour, Cinema: The Archeology of Film and the Memory of a Century, trans. John Howe, Oxford; New York: Berg.

Douglas Morrey, Jean-Luc Godard, Manchester: Manchester University Press.
D.B. Jones

Chris Darke. Alphaville. London: I.B. Tauris.

Michael Temple, James S Williams and Michael Witt, eds., For Ever Godard, London: Black Dog.
Essay: Catherine Grant, Home Movies: The Curious Cinematic Collaboration of Anne-Marie Mieville and Jean-Luc Godard
Peter Conrad
Godard Alone?, by Katerina Loukopoulou
Richard Armstrong

Leo Bersani, Forms of Being: Cinema, Aesthetics, Subjectivity, London: BFI.

Charles Tesson and Emmanuel Burdeau, Jean-Luc Godard: The Future(s) of Film: Three Interviews 2000-01, Bern: Verlag Gachnang & Springer AG.

Peter Wollen, Paris Hollywood: Writings on Film, London: Verso.
Essay: JLG

Michael Temple and James S. Williams, eds., The Cinema Alone: Essays on the Work of Jean-Luc Godard, 1985-2000, Amsterdam: Amsterdam University Press.

David Wills, ed., Pierrot le fou, Cambridge: Cambridge University Press.

David Sterritt, The Films of Jean-Luc Godard: Seeing the Invisible, New York: Cambridge University Press.
Godard: Thinking Media, by Marcia Landy, and Sterritt’s reply

Kaja Silverman and Haroun Farocki, Speaking About Godard, New York: New York University Press.
Scanning Godard, by Adrian Martin
More Histoire(s) du Cinema?, by Paul Sutton
Jonathan Rosenbaum

David Sterritt, ed., Jean-Luc Godard: Interviews, Jackson: University Press of Mississippi.
A Modest Employee of the Cinema vs The Big Garage, by Martha P. Nochimson
Speaking and Writing about Godard: A Response to Nochimson and Sutton, by David Sterritt

Wheeler Winston Dixon, The Films of Jean-Luc Godard, Albany: State University of New York Press.
The Godard Renaissance: Impossible Work, by Glen Norton (on Wills’ Pierrot le fou, Sterritt’s The Films of Jean-Luc Godard: Seeing the Invisible, Silverman and Farocki’s Speaking About Godard and Dixon’s The Films of Jean-Luc Godard)

Yosefa Loshitzky, The Radical Faces of Godard and Bertolucci, Detroit: Wayne State University Press.

Maryel Locke and Charles Warren, eds., Jean-Luc Godard’s Hail Mary: Women and the Sacred in Film, Carbondale: Southern Illinois University Press.

David Bordwell and Kristin Thompson, Film Art: An Introduction, 4th edition, New York: McGraw-Hill.
Essay: Tout va Bien

Raymond Bellour with Mary Lea Bandy, eds., Jean-Luc Godard: Son+Image 1974-1991, New York: Museum of Modern Art.
Essay: Eight Obstacles to the Appreciation of Godard in the United States, by Jonathan Rosenbaum

Robert Stam, Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard, New York: Columbia University Press.

Dudley Andrew, ed., Breathless: Jean-Luc Godard, director, New Brunswick, N.J.: Rutgers University Press.

Robert Phillip Kolker, The Altering Eye, New York: Oxford University Press.

Alfred Guzzetti, Two or Three Things I Know About Her: Analysis of a Film by Godard, Cambridge, Mass.: Harvard University Press.

Colin MacCabe, with Mick Eaton and Laura Mulvey, Godard: Images, Sounds, Politics, Bloomington: Indiana University Press.

John Kreidl, Jean-Luc Godard, Boston: Twayne Publishers.

Julia Lesage, Jean-Luc Godard: A Guide to References and Resources, Boston: G. K. Hall.

Bruce F. Kawin, Mindscreen: Bergman, Godard, and First-Person Film, Princeton, N.J.: Princeton University Press.

James Monaco, The New Wave, Oxford University Press.
Jonathan Rosenbaum

Michael Goodwin and Greil Marcus, Double Feature: Movies and Politics, New York: Outerbridge & Lazard.

Royal S. Brown, Focus on Godard, Englewood Cliffs, N.J.: Prentice-Hall.
Chapter: An Audacious Experiment: The Soundtrack of Vivre sa vie, by Jean Collet

Richard Roud, Jean-Luc Godard, London: British Film Institute, 2nd rev. ed.

Charles Barr, et al., The Films of Jean-Luc Godard, New York: Praeger.

Toby Mussman, Jean-Luc Godard, A Critical Anthology, New York: Dutton.
Chapter: Michael Benedikt, Alphaville & Its Subtext in the Poetry of Paul Eluard
Jonathan Rosenbaum

Pierre Pinchon, Contrabandes Godard 1960-1968, Editions Matière.

Saad Chakali, Jean-Luc Godard dans la relève des archives du mal, Paris: L’Harmattan.

Georges Didi-Huberman, Passés cités par JLG, Editions de Minuit.

Stefan Kristensen, Jean-Luc Godard Philosophe, L’age d’homme.

Dialogues: Marguerite Duras/Jean-Luc Godard, Fécamp: Post-éditions.

Arnaud Guigue, Truffaut & Godard: La querelle des images, CNRS.

Dialogues sur le cinéma: Jean-Luc Godard & Marcel Ophuls, Lormont: Le bord de l’eau.

Maurice Darmon, Filmer après Auschwitz/La question juive de Jean-Luc Godard, Cognac: Le temps qu’il fait.

Jean-Luc Douin, Jean-Luc Godard, Dictionnaire des passions, Paris: Stock.

Jacques Mandelbaum, Jean-Luc Godard, Paris: Cahiers du cinéma.

Frédéric Hardouin, Le cinématographe selon Godard: Introduction aux Histoire(s) du cinéma, ou, réflexion sur le temps des arts, Paris: L’Harmattan.

Céline Scemama, Histoire(s) du cinéma de Jean-Luc Godard: la force faible d’un art, Paris: L’Harmattan.
Chapter: La partition des Histoire(s) du cinéma de Jean-Luc Godard.

Alain Bergala, Godard au travail: les années 60, Paris: Cahiers du cinéma.

Bamchade Pourvali, Godard neuf zéro: les films des années 90 de Jean-Luc Godard, Biarritz: Séguier Archimbaud.

Nicole Brenez et al., Jean-Luc Godard, documents, Paris: Editions du Centre Pompidou.

Jean-Pierre Esquenazi, Godard et la société française des années 1960, Paris: A. Colin.

Suzanne Liandrat-Guigues et Jean-Louis Leutrat, Godard: simple comme bonjour, Paris: L’Harmattan.

Alain Bergala, Nul mieux que Godard, Paris: Editions Cahiers du cinéma.


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    جزیل لثه نگارش شده است و من مطمئن هستم که این پست به
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