Doctoral Dissertations
2012
Deadly Deviations, Subversive Cinema: The Influence of Hollywood Film Noir on the French New Wave, by James Rowlins
2010
Exploring Lived Cinematic Moments in Italian Neorealism and the French Nouvelle Vague, by Glen W. Norton
Before Our Eyes: Les Mots, Non Les Choses. Jean-Luc Godard’s Ici et ailleurs (1970-1974) and Notre musique (2004), by Irmgard Emmelhainz
2007
Radical Form, Political Intent: Delineating Countercinemas Beyond Godard, by Robert Patrick Kinsman
Jean-Luc Godard: The Evolution of a Radical, by Amruta Satish Kulkarni
Self-Staging Auteurs in Search of a Cinema: Jean-Luc Godard, Woody Allen and Eduardo Coutinho, by Cecilia Sayad
2006
Textualizing the Future: Godard, Rochefort, Beckett and Dystopian Discourse, by Julie Anne Monty
2005
Marginal Pleasure and Auteurist Cinema: The Sexual Politics of Robert Bresson, Jean-Luc Godard, Catherine Breillat and François Ozon, by Thibaut Schilt
2004
Reification and Visual Fascination in Flaubert, Zola, Perec and Godard, by Brian E Daniels
2002
Jean-Luc Godard and the Other History of Cinema, by Douglas Morrey
Theses
2011
The Role(s) of the Intellectual in the Films of Godard, by Tyson Stewart
In Search of an Emancipated Pedagogy Through a De-Centered Montage, by Pedro Juan Vidal
Displacing the House of Being: The Politics of Parody in the Cinema of Jean-Luc Godard, 1960-1968, by Dominick DeJoy
Visions of 1968: Radical Aesthetics in Porcile, WR and Tout va bien, by Katarina Mihailović
2007
Alienation in Jean-Luc Godard’s Tout Va Bien (1972), by Anna Alich
2001
Origine et fin: Méthode(s). À partir et autour des Histoire(s) du cinéma de Jean-Luc Godard, by André Habib
2000
The Depiction of late 1960’s Counter Culture in the 1968 films of Jean-Luc Godard, by Gary Elshaw
1999
The Gift Reciprocated: Critical Theory and Jean-Luc Godard’s Philosophy of the Image, by Glen W. Norton
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